HUSSERUS PHENOMENOLOGY
By Dan Zahavi 2003
Husserl’s theory of intentionality is a description of the object-directedness of consciousness.
Husserl’s transcendental philosophy is a type of idealism’s assertion that subjectivity is world-constituting.
The Early Husserl
(pp 7-42)
Logische Untersuchungen (1900-1901) was not Husserl's first published work, but he considered it to constitute his 'breakthrough' to phenomenology (Hua 18/8). It stands out as not only one of Husserl's most important works, but also as a key text in twentieth-century philosophy.
It is in Logische Untersuchungen, for instance, that one finds Husserl's first treatment of a whole range of key phenomenological concepts, including a detailed analysis of intentionality. It is precisely intentionality that has so often been emphasized as a central theme in Husserl's thinking, and it will serve well as a guideline for a presentation of his philosophy.
It will be necessary to give a brief presentation of his criticism of what is known as psychologism. It was against this critical background that the concept of intentionality was originally introduced.
Logische Untersuchungen consists of two main parts: the Prolegomena zur reinen Logik (which by and large contains the criticism of psychologism) and the six Untersuchungen zur Phänomenologie und Theorie der Erkenntnis (which culminates in the analysis of intentionality).
In the preface to the work, Husserl briefly describes the aim he has set himself, characterizing Logische Untersuchungen as providing a new foundation for pure logic and epistemology. The status of logic and the conditions for the possibility of scientific knowledge and theory are his particular interests.
The concept of epistemology used by Husserl in Logische Untersuchungen, however, is slightly different from the one currently in use. According to Husserl, the cardinal question facing a theory of knowledge is to establish how knowledge is possible. The task is not to examine whether (and how) consciousness can attain knowledge of a mind-independent reality. These very types of question, as well as all questions as to whether or not there is an external reality, are rejected by Husserl as being metaphysical questions, which have no place in epistemology (Hua 19/26). More generally (and this is very crucial when it comes to an understanding of his early concept of phenomenology), Husserl does not want to commit himself to a specific metaphysics, be it a realism or an idealism. Instead, he wants to address formal questions of a more Kantian flavor, particularly questions concerning the condition of possibility for knowledge (Hua 18/23, 208, 19/12, 26).
Husserl’s answer to these questions in the Prolegomena proceeds along two tracks. On the one hand, he is engaged in a critical project which seeks to show that a popular position at that time was in fact incapable of accounting for the possibility of knowledge. On the other hand, he tries in a more positive move to spell out some of the conditions that have to be fulfilled if knowledge is to be possible.
Husserl's Criticism of Psychologism
In Prolegomena, the view criticized by Husserl is known as psychologism. Its main line of argumentation is as follows: Epistemology is concerned with the cognitive nature of perceiving, believing, judging, and knowing. All of these phenomena, however, are psychical phenomena, and it is therefore obvious that it must be up to psychology to investigate and explore their structure. This also holds true for our scientific and logical reasoning, and ultimately logic must therefore be regarded as a part of psychology and the laws of logic as psycho-logical regularities, whose nature and validity must be empirically investigated. Thus psychology provides the theoretical foundation for logic.
According to Husserl, this position commits the error of ignoring the fundamental difference that exists between the domain of logic and psychology.
Logic (as well as, for instance, mathematics and formal ontology) is not an empirical science and is not at all concerned with factually existing objects. On the contrary, it investigates ideal structures and laws, and its investigations are characterized by their certainty and exactness.
In contrast, psychology is an empirical science that investigates the factual nature of consciousness, and its results are therefore characterized by the same vagueness and mere probability that marks the results of all the other empirical sciences.
To reduce logic to psychology is consequently a regular category mistake that completely ignores the ideality, apodicticity (indubitable certainty), and aprioricity (nonempirical validity) characterizing the laws of logic. These features can never be founded in or explained by reference to the factual-empirical nature of the psyche.
The fundamental mistake of psychologism is that it does not distinguish correctly between the object of knowledge and the act of knowing. Whereas the act is a psychical process that elapses in time and that has a beginning and an end, this does not hold true for the logical principles or mathematical truths that are known. When one speaks of a law of logic or refers to mathematical truths, to theories, principles, sentences, and proofs, one does not refer to a subjective experience with a temporal duration, but to something atemporal, objective, and eternally valid. Although the principles of logic are grasped and known by consciousness, we remain conscious of something ideal that is irreducible to and utterly different from the real psychical acts of knowing.
This distinction between the ideal and real is so fundamental and urgent to Husserl, that in his criticism of psychologism he occasionally approaches a kind of (logical) Platonism: The validity of the ideal principles are independent of anything actually existing.
No truth is a fact, i.e. something determined as to time. A truth can indeed have as its meaning that something is, that a state exists, that a change is going on etc. The truth itself is, however, raised above time: i.e. it makes no sense to attribute temporal being to it, nor to say that it arises or perishes.
The truth that 2 + 3 = 5 stands all by itself as a pure truth whether there is a world, and this world with these actual things, or not.
(Note: Ideal logical truth vs real empirical facts).
In the First Investigation, which carries the title ‘Ausdruck und Bedeutung,' Husserl continues his argument for a distinction between the temporal act of knowing and the atemporal nature of ideality, but this time in a meaning-theoretical context. As Husserl points out, when we speak of ‘meaning’ we can refer to that which we mean, for instance ‘that Copenhagen is the capital of Denmark’, but we can also refer to the very act or process of meaning something, and these two uses must be resolutely kept apart. After all, it is possible for different people to entertain the same meaning, to mean the same again and again, although the concrete process of meaning is new in each case. Regardless of how frequently one repeats the theorem of Pythagoras, regardless of whom it is that thinks it, or where and when it happens, it will remain identically the same, although the concrete act of meaning will change in each case.
Husserl’s point is that a formal variation in place, time, and person does not lead to a change in meaning. The truth value of the claim 'In January 2000, the Danish prime minister was a man' will remain the same regardless of whether it is being asserted today or tomorrow, by me or by a friend, in Copenhagen or in Tokyo.
The very possibility of repeating the same meaning in numerically different acts is in itself a sufficient argument to refute psychologism as a confusion of ideality and reality. If ideality were really reducible to or susceptible to the influence of the temporal, real, and subjective nature of the psychical act, it would be impossible to repeat or share meaning, just as it is impossible to repeat a concrete psychical act the moment it has occurred, not to speak of sharing it with others. (We can of course perform a similar act, but similarity is not identity.)
But if this really were the case, scientific knowledge as well as ordinary communication and understanding would be impossible. Thus, Husserl can argue that psychologism entails a self-refuting skepticism. To attempt a naturalistic and empiristic reduction of ideality to reality is to undermine the very possibility of any theory, including psychologism itself.
The conditions that have to be fulfilled if knowledge is to be possible
Along with his rejection of psychologism Husserl also tries to specify the conditions that have to be fulfilled if knowledge is to be possible, and he distinguishes between two types of ideal and a priori conditions of possibility: the objective (logical) and the subjective (noetic). The objective conditions are the fundamental principles, structures, and laws that constitute the a priori foundation for any possible theory and that cannot be violated without violating the very concept of theory. Husserl here mentions the demand for consistency and noncontradiction. More surprisingly, however, Husserl also calls attention to the so-called noetic conditions of possibility. These are the conditions that have to be fulfilled if we are to speak of realized knowledge in the subjective sense. If the knowing subject did not possess an ability to distinguish between truth and falsity, between validity and nonvalidity, fact and essence, evidence and absurdity, then objective and scientific knowledge would not have been possible either. ….
Husserl emphasizes, he is not interested in real or causal conditions of possibility, but in ideal ones. That is, his aim is not to discover the factual psychological or neurological conditions that have to be fulfilled if members of Homo sapiens sapiens are actually and in fact to attain knowledge, but to explore the abilities that any subject (regardless of its empirical or material constitution) has to be in possession of if it is to be capable of knowledge.
This opening toward subjectivity becomes even more manifest if one takes the step from the Prolegomena to the second part of Logische Untersuchungen. The central and positive task of the Prolegomena was to show that objectivity and scientific knowledge presuppose ideality. Even if it is impossible to reconcile scientific objectivity with a psychological foundation of logic, one is however still confronted with the apparent paradox that objective truths are known in subjective acts of knowing. And, as Husserl points out, this relation between the objective ideality and the subjective act has to be investigated and clarified if we wish to attain a more substantial understanding of the possibility of knowledge. We need to determine how the idealities are justified and validated by an epistemic agent.
Husserls distinction between the ideal and the real is in many ways similar to Gottlob Frege's distinction. But the very important difference between the phenomenological and the Fregean criticism of psychologism is that Husserl believed it to be necessary to follow up on this criticism by way of an analysis of intentionality, and this interest in subjectivity and the first-person perspective is not shared by Frege.
According to Husserl, psychologism can be radically overcome only if it is possible to present an alternative account of the status of logic and objectivity. But in order to do so, it is necessary to pay direct attention to the ideal objects themselves, and not merely make do with empty and speculative hypotheses. This requires a return to the things themselves, to base our considerations only on that which is actually given.
To phrase it differently, if we are to examine in a nonprejudicial manner what ideality or reality is, we need to pay attention to its experiential givenness. But in order to do so it will also be necessary to undertake an investigation of consciousness, since it is only in, or rather for, consciousness that something can appear. Thus, if we wish to clarify the true status of ideal logical principles or real physical objects we have to turn toward the subjectivity that experiences these principles and objects, for it is only there that they show themselves as what they are. Consequently, the answers to the fundamental questions that we find in epistemology and in the theory of science call for an unnatural' change of interest. Instead of paying attention to the objects, we must reflect on, thematize, and analyze the acts of consciousness. It is only in this way that we will be able to reach an understanding of the relation between the act of knowing and the object of knowledge.
Despite Husserl's strong criticism of psychologism, his interest in the fundamental problems of epistemology made it necessary for him to return to consciousness.
Occasionally, Logische Untersuchungen has been described as a deeply divided work: Prolegomena zur reinen Logik is characterized by the criticism of psychologism, whereas Untersuchungen zur Phänomenologie und Theorie der Erkenntnis culminates in a descriptive analysis of consciousness—but as Husserl writes in the new preface to the second edition of Logische Untersuchungen, the opposition is more apparent than real.
We are dealing with a work consisting of a series of systematically related investigations that approach an increasingly complex level of reflection. And only a superficial reading could lead to the misunderstanding that the work should commit itself to a new type of psychologism.
Although Husserl himself in the first edition had been so imprudent to characterize phenomenology as a descriptive psychology, he soon realized that this was a serious mistake, for he was interested neither in an analysis of the psycho-physical constitution of man, nor in an investigation of empirical consciousness, but in an understanding of that which intrinsically and in principle characterizes perceptions, judgments, feelings, and so forth.
Let me briefly summarize the account given so far. Husserl criticizes the psychologistic attempt to reduce ideality to psychical processes. A proper analysis shows the irreducible difference between the act of knowing and the object of knowledge (in this case, the laws of logic). This difference must be maintained, although there remains a connection between the two, a connection that an adequate analysis has to explore if it is not to make do with empty postulates. If one wants to understand ideality, one ultimately has to return to the conscious acts in which it is given. This return to subjectivity is not a relapse back into psychologism, however. First of all, there is no attempt to reduce the object to the acts, but only an attempt to understand the object in relation or correlation to the acts. Secondly, Husserl wants to understand and describe the a priori structure of these acts. He is not interested in a naturalistic explanation that seeks to uncover their biological genesis or neurological basis.
The Concept of Intentionality
In the Chapters 5 & 6 of the second part of the Logische Untersuchungen, Husserl is occupied with the question of what it means to be conscious. As already mentioned, this does not refer to an analysis of the empirical conditions that have to be fulfilled in order for Homo sapiens to be conscious—for instance the possession of a sufficiently developed brain, an intact sensory apparatus, and so on—but in an analysis of what consciousness as such implies, regardless of whether it belongs to humans, animals, or extraterrestrials (cf. Hua 24/118).
Husserl is not interested in sensory physiology or neurology, but in epistemology, and he is claiming that an answer to questions like ‘what does it mean to imagine a unicorn’, 'to anticipate the coming harvest’, or 'to think of the square root of 4’ can take place in abstraction from the physical and causal elements that empirically and factually might be involved. This is the case not only because Husserl is interested precisely in the strictly invariant and essential nature of consciousness—and not in the nature of the neurological processes that might accompany it empirically—but also because he is interested in the cognitive dimension of consciousness, and not in its biological substratum. Husserl wants to describe our experiences as they are given from a first-person perspective, and it is no part of my experience of, say, a withering oak tree, that something is occurring in my brain. Thus, already early on Husserl stresses the (metaphysical) presuppositionlessness of phenomenology. Phenomenology is to be neither more nor less than a faithful description of that which appears (be it subjective acts or worldly objects), and should, as a consequence, avoid metaphysical and scientific postulates or speculations (Hua 19/27-28).
In his analysis of the structure of experience, Husserl pays particular attention to a group of experiences that are all characterized by being conscious of something, that is, which all possess an object-directedness. This attribute is also called intentionality. One does not merely love, fear, see, or judge, one loves a beloved, fears something fearful, sees an object, and judges a state of affairs. Regardless of whether we are talking of a perception, thought, judgment, fantasy, doubt, expectation, or recollection, all of these diverse forms of consciousness are characterized by intending objects and cannot be analyzed properly without a look at their objective correlate, that is, the perceived, doubted, expected object.
In order to illustrate why this analysis is so significant, Husserl mentions some alternative and still prevalent views.
(I). A widespread position has been that consciousness can be likened to a container. In itself it has no relation to the world, but if it is influenced causally by an external object, that is, if information (so to speak) enters into it, such a relation can be established. More precisely, a conscious state can be said to be directed at an object if and only if it is influenced causally by the object in question. According to this view, intentionality is a relation between two objects in the world. Thus, there is no fundamental difference between feeling (that is, being conscious of) the heat of the sun, and being heated by the sun. That this objectivistic interpretation of intentionality is wrong is relatively easy to show. The real existing spatial objects in my immediate physical surrounding only constitute a very small part of what I can be conscious of. When I am sitting at my desk, I cannot only think about the backside of the moon, I can also think about square circles, unicorns, next Christmas or the principle of noncontradiction. When
I am thinking about absent objects, impossible objects, nonexisting objects, future objects, or ideal objects, my directedness toward these objects is obviously not brought about because I am causally influenced by the objects in question.
When I am thinking about a unicorn, I am not thinking about nothing, but about something, and an analysis of our fantasies and hallucinations quickly reveals that they are also intentional. That it is possible to in tend objects that do not exist is a decisive argument against a theory that claims that an object must influence me causally if I am to be conscious of it. To put it differently, my intention does not cease being intentional if it turns out that its object does not exist.
(II). If it turns out that the objectivistic interpretation of intentionality is wrong, one could be tempted to argue for a subjectivistic interpretation instead. Intentionality is a relation between consciousness and its object. This relation can only obtain if both relata exist. However, since the object does not always exist in reality, intentionality must first and foremost be understood as a relation to an intramental object, that is, to an object immanent to consciousness. But this interpretation is also wrong. … This view leads to a rejection of the categorial distinction between act and object. That such a distinction does exist is easy to illustrate (Hua 19/385).
First of all, one can point to the identity of the object. We can be directed toward the same object in different mental acts. … If the object of my intention were really act-immanent, it would imply that I would never be able to experience the same object more than once. Every time I tried to perceive the object anew it would be by means of a new perception and therefore be a new object. For the very same reason it would also be impossible for several subjects to experience the same object.
This view is simply another version of the same fallacy that we already encountered in Prolegomena. Psychologism ignored the difference between the temporal act of knowledge and the ideal object of knowledge and sought to reduce the latter to the first. In a related manner subjectivism (subjective idealism) seeks to reduce the intentional object to mental content.
Second, Husserl ceaselessly emphasizes the difference between the mode of givenness of our acts and the mode of givenness of our objects.
A physical object, such as my pen, is characterized by its perspectival appearance (Hua 3/86-89); an object never appears in its totality, but always from a certain limited perspective. No single appearance can consequently capture the entire object; the object is never exhausted in a single givenness, but always transcends it. Not in the sense that the object somehow hides behind the appearances.as an unknowable Kantian thing in itself - nor in the sense that it is simply the sum of all the appearances, but in the sense that it is an identity connecting all of the different appearances.
Whereas it is always possible to experience the object from other perspectives than the one from which it is currently given, the situation is different when it comes to the givenness of consciousness itself.
If I attempt to thematize my visual perception in reflection, then this perception will not be given perspectivally. It does, so to speak, not have a hidden backside. … But if the object were really intramental, if it were really contained in consciousness and part of the stream of consciousness, it would have to share the non-perspectival givenness of the act, but this is not the case. This not only holds true for our directedness toward real objects, but also for our directedness toward unreal' objects, which likewise can be characterized as a directedness toward transcendent objects.
[When I promise to give someone a bottle of Beaujolais vintage as a gift, and if I identify the object of my intention with an immanent mental object, the promised cannot be fulfilled by giving him a real bottle of Beaujolais vintage which is a transcendent, extramental, object.]
If I think about a flute-playing faun, we are confronted with an intentional act with a definite structure that intends a faun. But this faun is not contained immanently in the act. …
To claim that the objects of hallucinations and fantasies exist psychically would have absurd consequences. It would imply that those pink elephants or golden mountains and so forth which I imagine or hallucinate exist just as truly and actually as the act of imagination itself. …. (Hua 22/310, 3/49).
The point Husserl is trying to make is exactly that the acts in question are intentional regardless of whether or not their object exists. …. And it is unnecessary to ascribe the unreal' objects a kind of mental existence (or 'intentional inexistence' to use Brentanos terminology) in order to save the intentionality of the acts.
(III). I have frequently talked about the intentional object. This is not to be identified with some mental construction, but is simply the object of my intention. If I look at my fountain pen, then it is this real pen, which is my intentional object, and not some mental picture, copy, or representation of the pen (Hua 3/207-208, 22/305). Indeed, Husserl would claim that in the case of perception we have a direct and unmediated acquaintance with the object in question. By making this claim Husserl is defending a form of direct perceptual realism and is thereby colliding with a still very popular theory known as the representative theory of perception.
This theory starts out with the question of how to establish a relation between the object and the subject of perception. Let us assume that I am looking at a red rose. In this case, I have an experience of the rose, but of course, this cannot mean that the rose qua physical object is present in my consciousness. The representative theory of perception therefore claims that the rose affects my sensory apparatus, and that this causes a mental representation of the rose to arise in my consciousness. According to this theory, then, every perception implies two different entities, the extramental object and the intramental representation.
In contrast, Husserl claims that it is an error to believe that one has clarified the intentional relation between consciousness and object by claiming that the object is outside consciousness and the representation of it is inside (Hua 19/436). The crucial problem for such a theory remains.that is, to explain why the mental representation, which by definition is different from the object, should nevertheless lead us to the object. Husserls criticism is mainly based on this difficulty, but already the assumption that there are two different entities must be rejected as being unfaithful to experience. When I perceive a rose, then it is this rose, and nothing else which is the object of my perception. To claim that there is also an immanent rose, namely an intramental picture or representation of the rose, is a pure postulate that does not explain anything, as Husserl rightly emphasizes (Hua 3/207-208).
………………………………..
According to Husserl, we are ‘zunächst und zumeist' directed at real objects in the world. This directedness is direct, that is, unmediated by any mental representations. So, rather than saying that we experience representations, one could say that our experiences are, presentational, and that they present the world as having certain features.
Given the presentation so far, it should be clear
1) that Husserl claims that intentionality is not merely a feature of our consciousness of actually existing objects, but also something that characterizes our fantasies, our predictions, our recollections, and so forth; and
2) that Husserl argues that the intended object is not itself a part of or contained in consciousness.
If we compare a perception of a withering oak tree with a fantasy of a flute-playing faun,
1) It would be false to say that we in the first case are intentionally referring to an object, whereas this is not the case for the fantasy.
2) It would also be wrong to claim that in both cases we are intentionally referring to an existing intramental object.
3) Nor is it the case that in the perception we are intending an extramental or transcendent object, whereas in fantasy we are intending an intramental or immanent object.
4) It would also be wrong to say that in the first case we are intending an object that exists both immanently and transcendently, whereas we in the second case are intending an object that only exists immanently.
5) The correct description must be that in both cases we are intending or referring to a transcendent, extramental object. The difference is that whereas the referent exists in the first case, it does not exist in the second.
Against this background it can be claimed that the intentions that are directed toward ‘unreal' objects are just as much characterized by their reference to or directedness toward a transcendent object as are ordinary perceptions. In contrast to normal perceptions, however, the referent does not exist, neither intramentally or extramentally. In the case of a hallucination, the pink elephant exists neither inside nor outside of consciousness, but the act of hallucination still contains a reference to a transcendent, extramental, object (Hua 19/206). As Husserl writes:
If I represent God to myself, or an angel, or an intelligible thing-in-itself, or a physical thing or a round square etc., I mean the transcendent object named in each case, in other words my intentional object: it makes no difference whether this object exists or is imaginary or absurd. 'The object is merely intentional' does not, of course, mean that it exists, but only in an intention, of which it is a real {reelles) part, or that some shadow of it exists. It means rather that the intention, the reference to an object so qualified, exists, but not that the object does. If the intentional object exists, the intention, the reference, does not exist alone, but the thing referred to exists also (Hua 19/439 [596]).
In contrast to the so-called natural relations, intentionality is characterized by the fact that it does not presuppose the existence of both relata (for which reason it might be better to stop calling intentionality a relation). If A influences B causally, both A and B must exist; if A intends B, only A must exist. If it is true that I am sitting on a horse, both the horse and I must exist. If it is true that I intend a horse, the horse does not need to exist. Thus, an important aspect of intentionality is exactly its existence-independency. It is never the existence of the intentional object that makes the act, be it a perception or a hallucination, intentional. Our mind does not become intentional through an external influence, and it does not lose its intentionality if its object ceases to exist. Intentionality is not an external relation that is brought about when consciousness is influenced by an object, but is, on the contrary, an intrinsic feature of consciousness. The intentional openness of consciousness is an integral part of its being, not something that has to be added from without. Thus, intentionality does not presuppose the existence of two different entities—consciousness and the object. All that is needed for intentionality to occur is the existence of an experience with the appropriate internal structure of object-directedness (Hua 19/386, 427):
That a presentation refers to a certain object in a certain manner, is not due to its acting on some external, independent object, 'directing itself to it in some literal sense, or doing something to it or with it, as a hand writes with a pen. It is due to nothing that stays outside of the presentation, but to its own inner peculiarity alone (Hua 19/451 [603]).
Against this background it should be obvious that one cannot take Husserl's analysis of intentionality in support of a metaphysical realism, as if Husserl should claim that we can only speak of a mind if there is also something mind-independent toward which it can be directed. The analysis of intentionality ‘merely' shows that there are conscious acts that because of their own nature are directed toward transcendent objects. This demonstration is sufficient, however, when it comes to an overcoming of a traditional epistemological problem, namely, the problem of how to make the subject and the object meet. It is not a problem for the subject to reach the object, since the subject is per se self-transcending, per se directed toward something different from itself. In the case of perception, this something is exactly the object itself, and not some image or copy of it.
Thus one of the decisive differences between Husserl's theory of intentionality and the theories that he was influenced by (for instance, Brentanos and Kasimierz Twardowski's theories of intentionality) is that
Husserl stubbornly denies that the intentional object should be understood as an intramental content that in the best of cases serves as mediator for our access to the real, mind-transcendent object. As Husserl emphasizes, one can only intend an object if it is the object of our intention, that is, if it is the intentional object:
It need only be said to be acknowledged that the intentional object of a presentation is the same as its actual o the intentional and the real object. Not in the sense that all intentional objects are real, but in the sense bject, and on occasion as its external object, and that it is absurd to distinguish between them. The transcendent object would not be the object of this presentation, if it was not its intentional object. This is plainly a merely analytic proposition. The object of the presentation, of the 'intention, is and means what is presented, the intentional object (Hua 19/439 [595—596]).
Thus, Husserl would claim that it is senseless to distinguish between that if the intended object really exists, then it is this real object, and no other, which is our intentional object.
The crucial question is now whether Husserl in Logische Untersuchungen is capable of giving a phenomenological account of the difference between the merely intended and the really existing object. When is it legitimate to call an object real? What does it mean that an object exists? In order to answer these questions, it is necessary to take a closer look at Husserls own positive account, and not merely make do with his criticism of different misinterpretations of intentionality.
Act, Meaning, Object
According to Husserl, one can analyze every intentional experience from three different perspectives. One can focus on the psychical process, and analyse the immanent (reelle) content of the act. One can analyze the meaning of the experience, and thereby investigate its intentional content. Finally, one can focus on that which is intended, that is, on the intentional object that the act is conscious of.
I have just mentioned that the intentional object, far from being some mysterious quasi-real entity, is simply identical with the intended object
What about the intentional content? As already mentioned, the intentionality of consciousness is not caused by an external influence, but is due to internal moments in the experience itself. Briefly put, it is the intentional content that makes consciousness intentional, furnishing the act with its directedness.
Every intentional experience is an experience of a specific type, be it an experience of hoping, desiring, remembering, affirming, doubting, fearing, and the like. Husserl called this aspect of the experience the intentional quality of the experience. Every intentional experience is also directed at something, is also about something, be it an experience of a deer, a cat, or a mathematical state of affairs. Husserl called the component that specifies what the experience is about the intentional matter of the experience.
Needless to say, the same quality can be combined with different matters, and the same matter can be combined with different qualities. It is possible to doubt that 'the inflation will continue,' doubt that 'the election was fair,' or doubt that ‘one’s next book will be an international bestseller,' just as it is possible to deny that 'the lily is white,' to judge that 'the lily is white,' or to question whether 'the lily is white.' Husserl's distinction between the intentional matter and the intentional quality consequently bears a certain resemblance to the contemporary distinction between propositional content and propositional attitudes.
Although the quality of the act and the matter of the act are abstract components that cannot exist independently of each other, Husserl nevertheless tends to give priority to the matter. According to him, it is the matter that provides the act with its directedness toward an object, whereas the quality merely qualifies this reference; it does not establish it.
Occasionally, Husserl also designates the matter of the act as the ideal meaning or sense of the act, and his point is exactly that we intend an object by meaning something about it:
In meaning, a relation to an object is constituted. To use an expression significantly, and to refer expressively to an object (to form a presentation of it), are one and the same.
It is meaning or sense that provides consciousness with its object directedness (and of course to speak of an object in this context does not necessarily designate an actually existing object, but just an intentional object, that is an intended object). More specifically, the matter does not only determine which object is intended, but also what the object is apprehended or conceived as.
Thus, it is customary to speak of intentional 'relations' as being conception-dependent. One is not simply conscious of an object, one is always conscious of an object in a particular way, that is, to be intentionally directed at something is to intend something as something.
One intends (perceives, judges, imagines) an object as something, that is, under a certain conception, description or from a certain perspective. To think about the capital of Denmark or about the native town of Niels Bohr, to think of Hillary Clintons husband or of the last U.S. president in the twentieth century, to think about the sum of 2 + 4 or about the sum of 5 + 1, or to see a Swiss cottage from below or above—in each of these four cases one is thinking of the same object, but under different descriptions, conceptions, or perspectives, that is with different act-matters. Whereas one and the same act-matter can never intend (refer to) different objects, different act-matters can very well intend the same object.
Although we always intend the object by virtue of a meaning, it is important to maintain the difference between the act, the meaning, and the object.
The object (be it an ideal object like the number 6, or a real object, like my antique watch) should neither be confused with the act (the very process of meaning something) nor with the ideal meaning that enable us to apprehend the object.
In ordinary cases, we are not directed toward the meaning, but toward the object: 'Our interest, our intention, our thought—mere synonyms if taken in sufficiently wide senses—point exclusively to the thing meant in the sense-giving act’.
That the meaning and the object should not be identified is perhaps especially clear from cases where different acts can have different act-matters but the same object.
As already mentioned, Husserl also speaks of the immanent content of the act. What is this supposed to be?
In contrast to the intentional object and the intentional content that transcend the act (after all the same object can be intended with the same ideal meaning in different acts, by me as well as by others) the immanent content is in a strict sense intramental and private.
All acts have an immanent content in the sense of an occurrent subjective intention. In addition, some acts include a further immanent element, namely a sensory component.
……………….. ………….
In Logische Untersuchungen, Husserl understood the relation between the ideal meaning (that which can be repeated by me and shared with others without losing its identity) and the concrete act of meaning (the subjective process of intending something) as a relation between an ideality and a concrete instantiation thereof.
As he says, the ideal meaning is the essence of the concrete intention: “Meaning is related to varied acts of meaning . . . just as Redness in specie is to the slips of paper which lie here, and which all 'have' the same redness”.
The immanent content of an act is consequently an instantiation of an ideal intentional content that could equally well be tokened in other acts of the same type. Whereas the immanent content is literally contained in the act, since it makes up its constituent part, the ideal intentional content maintains a certain independence of the concrete act.
Sensations are neither mental nor perceptual objects. They are nonintentional experiential elements, moments of experiencing that make up part of the perceptual act. They are part of the experience, not part of that which is perceived.
Since different sensory contents can be lived through although one and the same object is intended, that is, since the same object can be intended across different sensations, it is obvious that the two must be distinguished, and that the object cannot be reduced to a complexion of sensations.
According to Husserl we are not directed toward this intramental content. The sensations constitute the act, but they are not that which is intended, they are not that which the act is conscious of. If I am looking at the Empire State Building, then it is this building, and not my visual act, that I perceive. … An interesting asymmetry is consequently revealed: That which is contained in the act is not that which we intend, and that which we intend is not contained in the act.
One crucial question is the following: What is it exactly that makes it possible to perceive an identical and stable object? It cannot be the mere presence of a manifold of sensations. Indeed, Husserl suggests that the sensations are interpreted and apprehended with a specific meaning, and that it is this objectifying apprehension that provides me with consciousness of an object. …..
It is because of this objectifying interpretation that we can transcend the experienced sensations (in the case of perception) and become directed toward an object. In other words, it is in the interplay between sensations and interpretation that the appearance of the object is constituted. To see a pen is to grasp a manifold of sensations with an objectifying and synthesizing interpretation. To hear a violin is to apprehend and classify the experienced manifold.
Apperception is our surplus, which is found in experience itself, in its descriptive content as opposed to the raw existence of sense: it is the act-character which as it were ensouls sense, and is in essence such as to make us perceive this or that object, see this tree, e.g., hear this ringing, smell this scent of flowers etc. etc. Sensations, and the acts 'interpreting' them or apperceiving them, are alike experienced, but they do not appear as objects: they are not seen, heard or perceived by any sense. Objects on the other hand, appear and are perceived, but they are not experienced (Hua 19/399 [567]).
Signitive and Intuitive Givenness
When we wish to investigate the ways in which an act can intend an object, it is not only possible to vary the quality and matter of the act, it is also possible to vary the mode of givenness of the intended object.
Example: If one compares the situation where, in the absence of my notebook, I judge 'it is blue' with the situation where the notebook is present, and where I see it and judge 'it is blue’, we are dealing with two acts of judging with the same quality and matter. But there remains an important difference between the two acts, a difference that must concern something beyond the intentional essence. In both cases I am making a judgment about one and the same object—namely the notebook— but whereas in the first situation I have an empty, or as Husserl writes, a merely signitive intention, in the second I have an intuitive, or, to be more specific, a perceptual intention where the notebook is bodily present (leibhaftig) and intuitively given in propria persona.
Evidence
Husserl attempts to understand knowledge, justification, and truth on the basis of this model of fulfillment. When we are making signitive claims, we are dealing with mere postulates. However these postulates can be confirmed only if our intentions are fulfilled: I cannot remember the color of my notebook, for instance, but think it is blue. I look for it, and when I find it, I realize that I was right. When I no longer merely think the notebook is blue, but intuit it, my belief is confirmed. When the object is intuitively given just as I intended it to be, my belief is justified and true; I am in possession of knowledge. More specifically, knowledge can be characterized as an identification or synthesis between that which is intended and that which is given, and truth as an identity between the meant and the given. It must be emphasized, however, that we are talking of a synthesis of coincidence (Deckung) between that which is intended in two different acts, and not of a correspondence between consciousness and a mind-independent object. We are not talking about a classical correspondence theory of truth, since the coincidence in question is a coincidence between two intentions, and not between two separate ontological domains.
Husserl seeks to connect truth with knowledge, but he is not concerned with factual knowledge, but rather with the possibility of knowledge. A claim is true as long as it can be intuitively fulfilled, and not only when it is actually fulfilled.
It is in this context that Husserl introduces the concept of evidence. If I think that my notebook is blue and see it, then I realize in evidence that my belief is true.
Is this evidence some specific but inexplicable and mysterious feeling of certainty that accompanies my belief? Is Husserl arguing that the criterion for truth is a private and infallible feeling? The answer is no. Husserl himself explicitly criticizes the so-called feelings of evidence for being psychological fictions and for leading straight to relativism.
For Husserl, evidence in the strict sense of the term designates the ideal of a perfect synthesis of fulfillment where an intention (typically a claim) is adequately fulfilled by a corresponding perception, thus providing us with the very self-givenness of the object. Thus, when the object is no longer merely intended but also given intuitively (just as it is intended), it is given evidentially.
There is nothing particularly private about evidence. Rather, Husserl’s concept of evidence entails a claim about intersubjective validity.
In the work Formale und Transzendentale Logik (1929) Husserl makes use of a clarifying distinction between two different concepts of evidence. On the one hand, the term evidence' is used to designate the originary, that is original and optimal, givenness of the intended object. On the other hand, it is used to designate the existence of an actual synthesis of coincidence: A claim is evidently justified when it coincides with the first type of evidence. Husserl also speaks of truth as the correlate of evidence, and one can therefore also distinguish two different kinds of truth: Truth as disclosure vs. truth as correctness. But although Husserl already operates with a type of truth on the prepredicative level—already the fact that the object shows itself as itself is a kind of (ontologically founded) truth—true knowledge cannot simply be identified with the mere presence of an intuition. Taken in isolation, the intuition is epistemologically irrelevant. It is only when the intuition serves the function of fulfilling a signitive intention that we acquire knowledge. The proper place for knowledge is the judgment.
When a signitive intention is completely fulfilled by a corresponding intuition, the object is given exactly as it is intended—but this is very rarely the case. Physical objects are given perspectivally. And this fact has direct implications for the way in which they can be known.
Our knowledge of physical objects are, as Husserl writes, characterized by a lack of coincidence between the intended and the given. We never perceive the object in its full totality, but always from a specific perspective (which obviously not only holds for three-dimensional objects, but for two-dimensional planes as well).
But although, strictly speaking, we are presented with the profiles of the object, these are not what we intend. On the contrary, we intend the object itself.
As Husserl says: 'Whether I look at this book, from above or below, from inside or outside, I always see this book. It is always one and the same thing'. I intend the chair and not the perspectivally given surface of the front or the back, seat, and legs of the chair.
Of course, I can choose to change my focus and instead intend the surface of the leg (instead of the whole chair), but that will be given in profiles as well. Our intentional directedness toward spatio-temporal objects are consequently characterized by the fact that we persistently transcend the given in order to grasp the object itself.
Although perception is defined as the intentional act that aims at giving a full presentation of the intended object, that is, to let the object show itself fully as it is, this remains an ideal when it comes to physical objects. There will always remain profiles of the object that are not intuitively given. Our perceptual grasp of these objects will always remain inadequate. This is not to say, however, that there is no room for evidence when it comes to perception. Husserl makes a distinction between different types of evidence: apodictic (indubitable), adequate (exhaustive), and inadequate (partial) evidence.
Whereas our insight into certain mathematical relations (that 3 is greater than 2, for instance) might be considered exhaustive and indubitable, this does not hold true for our perception of physical objects, which remains tentative and corrigible. But this is only to be considered a fatal flaw if one makes the mistake of taking mathematics as the sole arbiter of what might count as evidence.
There is obviously no reason to remain satisfied with that which a single perception can present us with. Although we can already speak of knowledge at this stage, that is, insofar as the intuitively given fulfills our signitive intention, our knowledge of the object will increase if more of its profiles are given intuitively.
The concept of fulfillment is consequently a concept with a large scope. It is not the case of an either-or. Either there is (absolute) fulfillment, or there is none. On the contrary, there can be various degrees of fulfillment. Its range can vary, but so can its clarity. If I see a withering oak from afar, then I am certainly confronted with the oak itself, the oak is intuitively present. But it is not as optimally given as if I stood closer by and could discern more details. At the same time it should also be emphasized that Husserl does not define the optimal givenness by means of parameters like light and spatial presence. Stars are best seen when it is dark, and Husserl always understands optimal givenness as the kind of givenness that offers us the object with as much information and in as differentiated a manner as possible.
Categorial Objects and Wesensschau
Husserl’s concept of object is very broad (basically everything about which something can be predicated is an object), and fundamentally speaking he distinguishes between two different types of objects: real (perceptual) objects and ideal (categorial) objects. After all, it is not only possible to think about pear trees or the Empire State Building, but also about ideal notions like justice, the figure 3, the principle of noncontradiction, or about state of affairs {Sachverhalte) like 'the green book is lying beneath the papers on the desk’.
…………… ………….. ………………
To summarize: Husserl's concept of experience is far more comprehensive than the one bequeathed to us from empiricism. We not only experience concrete and particular objects, but abstract or universal ones as well. As Husserl once put it in an article for the Encyclopedia Britannica, one of the tasks of phenomenology is precisely to overcome and replace the narrow empiristic concept of experience with an enlarged one, and to clarify all of its different forms, be they the intuition of essential structures, of apodictic evidence, and so forth.
Husserl's essentialism
Husserl claims that we can experience ideal and categorial objects, and he even argues that it is possible to obtain essential or eidetic insights.
At times this claim concerning the possibility of a Wesensschau has been taken to constitute one of the most important features of Husserlian phenomenology But, although it is true that Husserl was more interested in insights into the essential structures of consciousness than in investigations of the factual and empirical composition of human consciousness, and although his phenomenology can in part be seen as an attempt to spell out the necessary and universal laws that govern and structure intentionality, this interest in essential structures is so widespread and common in the history of philosophy that it is nonsensical to take it as a defining feature of phenomenology.
Nevertheless, Husserl did in fact develop and employ some useful distinctions. One of these is the difference between formal and material ontology. Formal ontology is the name for the discipline that investigates what it means to be an object. It is considered a formal enterprise, for it abstracts from all considerations concerning content. It is not interested in the differences between siliceous stones, oak trees, and clarinets, that is to say, it is not concerned with the differences between various types of objects, but in that which is unconditionally true for any object whatsoever. The work of a formal ontology is consequently to be found in the elucidation of such categories as quality, property, relation, identity, whole, part, and so on. In contrast, the material (or regional) ontology examines the essential structures belonging to a given region or kind of object and seeks to determine that which holds true with necessity for any member of the region in question. For instance, what is it that characterizes mathematical entities as such, in contrast to psychical processes or physical objects? Each of the three would, according to Husserl, constitute a unique ontological region with its own proper features. The region of the physical can again be subdivided into a number of more specific regions, the domain of the chemical, the biological, and so forth.
Husserl not only claims that there are essential structures governing different ontological regions, he also claims that we can obtain knowledge about these structures. He points out that we are not only able to intend particular objects characterized by spatio-temporal position—for instance this 400-yearold tsuba that I am currently using as a paperweight, we can also intend that which characterizes physical objects qua physical objects, that is, that which invariantly holds true for all physical objects. To put it differently, there are not only mental acts that are directed toward singular objects, but also mental acts that intend the universal and ideal.
Whereas the investigation of the concrete features of the tsuba is an empirical investigation of a number of features that might very well have been different, this is not the case when it comes to the investigation of that which characterizes the tsuba qua physical object. According to Husserl, an insight into the mental acts that intend the universal and ideal can be acquired through a so-called eidetic variation or eidetic reduction (not to be confused with the phenomenological or transcendental reduction). This variation must be understood as a kind of conceptual analysis where we attempt to imagine the object as being different from how it currently is. Sooner or later this imaginative variation will lead us to certain properties that cannot be varied, that is, changed and transgressed, without making the object cease to be the kind of object it is. The variation consequently allows us to distinguish between the accidental properties of the object, that is, the properties that could have been different, and its essential properties, that is, the invariant structures that make the object into the type of object it is.
According to Husserl, I can obtain an essential insight, a Wesensschau, if through an eidetic variation, I succeed in establishing the horizon within which the object can change without losing its identity as a thing of that type. In that case, I will have succeeded in disclosing the invariant structures that make up its essence.
Of course, Husserl would never claim that through some passive gaze we are able to obtain infallible insights into the essence of each and every object. On the contrary, the eidetic variation is a demanding conceptual analysis that in many cases is defeasible. Moreover, and this must be emphasized, Husserl's work does not consist of hairsplitting analyses of the difference between, say, dogs and cats. On the contrary, he is after far more fundamental distinctions, for instance, what distinguishes mathematical entities from works of art, physical objects, and mental acts.
Husserl’s considerations concerning the possibility of an eidetic reduction and variation, his distinction between material and formal ontology, and his reflections on the relation between sensation and thought are all important philosophical investigations. Nevertheless, in my opinion, they all constitute part of the more traditional heritage in Husserl’s philosophy and should consequently not be taken as the truly distinctive features of his phenomenology.



