Shroud of Turin


The Shroud of Turin or Turin Shroud (Italian: Sindone di Torino) is a length of linen cloth bearing the image of a man who appears to have suffered physical trauma in a manner consistent with crucifixion. There is no consensus yet on how the image was created. It is believed by some to be the burial shroud of Jesus of Nazareth, despite radiocarbon dating tests dating it to the Medieval period. The image is much clearer in black-and-white negative than in its natural sepia color. The negative image was first observed in 1898 on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited in the Turin Cathedral. The shroud is kept in the royal chapel of the Cathedral of Saint John the Baptist in Turin, northern Italy.
The origins of the shroud and its image are the subject of intense debate among theologians, historians and researchers. Scientific and popular publications have presented diverse arguments for both authenticity and possible methods of forgery. (Wikipedia)

 

Shroud of Turin

Shroud of Turin

Shroud of Turin

Image source: commons.wikimedia.org

Negative photo of Shroud of Turin (Photograph by Secondo Pia, 1898.)

Shroud of Turin (Photograph by Secondo Pia, 1898.)

Shroud of Turin (Photograph by Secondo Pia, 1898.)
Secondo Pia's 1898 negative of the image on the Shroud of Turin. Image from Musée de l'Élysée, Lausanne.

Image source: commons.wikimedia.org


 

Shroud of Turin: positive and negative comparison

Shroud of Turin

The image is much clearer in black-and-white negative than in its natural sepia color. The negative image was first observed in 1898 on the reverse photographic plate of amateur photographer Secondo Pia, who was allowed to photograph it while it was being exhibited in the Turin Cathedral (Wikipedia).

Image source: commons.wikimedia.org

The Shroud of Turin: modern photo of the face.

Shroud of Turin

The Shroud of Turin: modern photo of the face, positive left, digitally processed image right.
The processed image at the right is the product of the application of digital filters. Digital filters are mathematical functions that do not add any information to the image, but transform it in such a way that information already present in it becomes more visible or easier to appreciate by the naked eye. The processed image was produced by inverting the brightness of the pixels in the positive image but without inverting their hue, and then by increasing both the brightness contrast and the hue saturation. Finally noise and so-called “salt and pepper” filters automatically removed the noisy information from the original image which hinders the appreciation of the actual face. To my knowledge the resulting image is the best available and indeed the only one that reveals the color information hidden in the original. Source of the positive image at the left. (Wikipedia)

Image source and reference: commons.wikimedia.org

Full length negatives of the shroud of Turin

Full length negatives of the shroud of Turin class=

Image source: en.wikipedia.org

 

 


Veil of Veronica (Holy Face)


The Veil of Veronica, or Sudarium (Latin for sweat-cloth), often called simply "The Veronica" and known in Italian as the Volto Santo or Holy Face (but not to be confused with the carved crucifix Volto Santo of Lucca) is a Catholic relic of a piece of cloth, which, according to legend, bears the likeness of the face of Jesus not made by human hand (i.e. an Acheiropoieton). Various existing images have been claimed to be the "original" relic, or early copies of it, but the evidently legendary nature of the story means that there are many fewer people, even among traditional Catholics, who treat claims of actual authenticity very seriously compared to the comparable relic of the Turin Shroud.

The painting "Veronica holding her veil" by Hans Memling (1430 – 1494)

The painting Veil of Veronica

There is no reference to the story of Veronica and her veil in the canonical Gospels; the story comes from centuries of tradition. The closest written reference is the miracle of Jesus healing the bleeding woman by touching the hem of Jesus’ garment (Luke 8:43-48); her name is later identified as Veronica by the apocryphal "Acts of Pilate". The story was later elaborated in the 11th century by adding that Christ gave her a portrait of himself on a cloth, with which she later cured Tiberius. The linking of this with the bearing of the cross in the Passion, and the miraculous appearance of the image was made by Roger d'Argenteuil's Bible in French in the 13th century, and gained further popularity following the internationally popular work, Meditations on the life of Christ of about 1300 by a Pseudo-Bonaventuran author.

Image source: en.wikipedia.org

19th century group of St Veronica offering Jesus the veil from a series of Stations of the Cross.

The painting Veil of Veronica

It is also at this point that other depictions of the image change to include a crown of thorns, blood, and the expression of a man in pain, and the image became very common throughout Catholic Europe, forming part of the Arma Christi, and with the meeting of Jesus and Veronica becoming one of the Stations of the Cross.
Stations of the Cross (or Way of the Cross; in Latin, Via Crucis; also called the Via Dolorosa or Way of Sorrows, or simply, The Way) refers to a series of artistic representations, often sculptural, depicting Christ Carrying the Cross to his crucifixion.

Image source: en.wikipedia.org


 

The Holy Face of Genoa

The Holy Face of Genoa

#1: The Holy Face of Genoa, one of the group of images close to the original form.

Image source: en.wikipedia.org

The Holy Face of San Silvestro

The Holy Face of San Silvestro

#2: The Holy Face of San Silvestro,
now in the Matilda chapel in the Vatican.

Image source: en.wikipedia.org

The Manoppello Image

The Manoppello Image.

#3: The Manoppello Image.

Image source: en.wikipedia.org
Reference: en.wikipedia.org

The painting "Veil of Veronica"

The painting

#4: The painting "Veil of Veronica"
by Domenico Fetti

Image source: en.wikipedia.org

 

The Holy Face of Genoa

The Holy Face of Genoa

#5: The Holy Face of Genoa with the face more visible.

Image source: en.wikipedia.org

The Holy Face of San Silvestro

The Holy Face of San Silvestro

#6: The Holy Face of San Silvestro with the face more visible.

Image source: en.wikipedia.org

The Holy Face of Jaén

The Holy Face of Jaén.

#7: The Holy Face of Jaén.

Image source: en.wikipedia.org

King Abgar received the Image of Edessa, a likeness of Jesus

King Abgar received the Image of Edessa, a likeness of Jesus

#8: King Abgar received the Image of Edessa, a likeness of Jesus.

Image source: en.wikipedia.org